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The way the shot transitions in the last cut is unbelievably good. Ishitani storyboards are on another level.
Having the whole ship in 2D at 0:16 is so nice. This may have been my favorite part of the episode.
This scene is so well done, that it surprised me perhaps more than they themselves

Unfortunately it is not known who made this
first 13 seconds were by Tang, and others were by Yang and two animators at Yang's company
Guanrong Huang 0:15-0:18
Lizi cut at 0:19