The Geto part looks exactly like something Souta Yamazaki animated in episode 5, though idk if he’s only credited for like corrections and stuff.
 
 
会場入口に掛けられた南京錠を外した一同が舞台上でシャンデリアに押し潰された真上寺聖子の遺体を発見するところ
https://w.atwiki.jp/sakuga/pages/48.html
 
Date Jun 3, 2023 User ken Rating Safe Score 744 Hidden 11
I always thought an aesthetic similar to that of Casshern Sins or even Chainsaw Man could fit the somber tone Berserk has. A Yamauchi/Umakoshi take on the series would do wonders imo
Was not expecting the Otomo homage
paeses said:
Wait, the meme became true. Where is Kraker when you need him?
Almost 10 years old lol. *Ehem* Oh I get it now, Kou is the Yoshinari 'Aniki' hence Aninari.
I didn't know it was him, now it's pretty obvious
Maybe it's just me overthinking, but Maru's face at 0:20 has a quite much Katsuhiro Otomo style vibe, especially the nose and the way the eyes are designed resemble a lot his work on AKIRA, the manga even more than the anime.

Which would make a lot of sense, after all, according to what I've read Heaven's Delusion's author major inspiring artist is the very Otomo
Hello123 said:
I always thought an aesthetic similar to that of Casshern Sins or even Chainsaw Man could fit the somber tone Berserk has. A Yamauchi/Umakoshi take on the series would do wonders imo
I'm tempted to say I'd like to have the 97 character design, but tbh I think the designer for the golden age movies (who is... also Dororo's character designer, I believe?) would still fit perfectly. But that hypotetical adaptions need not to have that overly bright and light general aesthetic and possibly avoid abominable CGI (those puppets with plate mail bending like fabric.... -shivers-)
 
Date May 31, 2017 User Ashita Rating Safe Score 221
would it be fair to call this a pseudo-itano circus?
I wouldn't say so because the distinguishing factor of that sort of cut is the projectiles following a specific target somewhere on-screen in a radial fashion. This is just missiles with smoke trails with the thing they're following being strictly in the foreground of the shot.
 
Tagging artist unknown as it looks like most of this is LO only.
 
Date Oct 26, 2023 User WindowsL Rating Safe Score 79
From the sheet music at 0:18, the piece that Paul practices is the Impromptu in E-flat major by Schubert. And it's really good that the right notes were played in this clip.
 
Confirmed from timesheet for Cut #196 (0:04 - 0:06)



He also handles some cuts before and afterward.
 
Those face angles are really amazing
 
Up to :20 is Takaya, confirmed on Ken Suetake's BBS board.