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SkippyTheRobot
about 1 month ago
0:00 - 0:07.2 Go
Rest: storyboard by Weilin
0:07.3 - 0:13.3 Weilin
0:13.4 - 0:15.2 Honehone
0:15.3 - 0:19.1 Weilin
0:19.2 - 0:21.3 Rui
0:21.4 - 0:24.1 Nakakoji
0:24.2 - 0:27.5 Gosso
0:27.6 - 0:28.3 Naoki Miyajima
0:28.4 - 0:32.4 Rui
0:32.5 - 0:35.7 Kaito Tomioka
0:35.8 - 0:37.4 Rui
0:37.5 - 0:38.8 Gosso
0:38.9 - 0:40.1 Rui
0:40.2 - 0:41.6 K1RO
0:41.7 - 0:42.4 10+10
0:42.5 - 0:43.4 Shoichi
0:43.5 - 0:44.1 Sou Miyazaki
0:44.2 - 0:45.1 Shoichi
0:45.2 - 0:45.9 Sou Miyazaki
0:46 - 0:46.4 Harumi Yamazaki
0:46.5 - 0:49.7 Gosei Oda
0:49.8 - 0:50.7 Honehone
0:50.8 - 1:02.7 Weilin
1:02.8 - 1:05.7 Sou Miyazaki
1:05.8 - 1:10.1 Kaito Tomioka
1:10.2 - 1:10.8 Sou Miyazaki
1:10.9 - end Onsen
Tzur
about 1 month ago
SkippyTheRobot_ said:
Rest: storyboard by Weilin
when you say storyboard do you mean actual storyboard or rough layouts?
Skjrjdijfiriifjdn
about 1 month ago
The Ohira energy at 0:35.8 is amazing
Atef
about 1 month ago
Like wtf is this, how do you fit this much industry talent in a minute and 15 seconds. Unreal.
redpruple
about 1 month ago
i think jjk s2 (more specifically, shibuya arc) has had the best facial expressions ive seen. i rlly love onsen's happy sukuna face
Seriously
about 1 month ago
All these animators have completed the original rough LO of Zhang right??
Minecreep
about 1 month ago
0:57.0 - Why are they getting teleported to the side of a building ?
ItsAMemeMario
about 1 month ago
Atef said:
Like wtf is this, how do you fit this much industry talent in a minute and 15 seconds. Unreal.
Maybe that indicates an insane amount of rushed work, because there probably wasn't much time to work on the BD either and cramming this many people into one minute is not normal. Too many things like K1RO only doing a half-second cut make me think so. Some of these cuts also lack cohesion, like at 1:11 when they suddenly appear in an underground station to connect this sequence with Vincent's drop kick cut which comes right after. This is all still beautiful work but I'm just sad animators are being worked this way even after the production supposedly ended
Stanberry
about 1 month ago
I wonder if this was originally supposted to be all done by mr. Weilin.
TheSiZaGaming
about 1 month ago
ItsAMemeMario said:
Maybe that indicates an insane amount of rushed work, because there probably wasn't much time to work on the BD either and cramming this many people into one minute is not normal. Too many things like K1RO only doing a half-second cut make me think so. Some of these cuts also lack cohesion, like at 1:11 when they suddenly appear in an underground station to connect this sequence with Vincent's drop kick cut which comes right after. This is all still beautiful work but I'm just sad animators are being worked this way even after the production supposedly ended
I believe the lightstreaks indicate they are going SUPER fast and so it isn't out of the question that they broke into a railway station.
koutetsu hai
about 1 month ago
SkippyTheRobot_ said:
Rest: storyboard by Weilin
Can you answer my question?
In addition to the storyboard, is weilin responsible for this part of the Layout?
Hello123
about 1 month ago
Yo Hai, Zhang did all the LO for this scene (minus the small Go stuff in the beginning). The thing is his LO was very rough which led those animators to complete his work, that's why the scenes by Tomioka or Gosso still feel like scenes done by Zhang, it's just that it was his rough LO.
koutetsu hai
about 1 month ago
Hello123 said:
Yo Hai, Zhang did all the LO for this scene (minus the small Go stuff in the beginning). The thing is his LO was very rough which led those animators to complete his work, that's why the scenes by Tomioka or Gosso still feel like scenes done by Zhang, it's just that it was his rough LO.
Where did this news come from? Is it highly reliable?
DofinSauvaje
about 1 month ago
koutetsu_hai said:
Can you answer my question?
In addition to the storyboard, is weilin responsible for this part of the Layout?
It's more a rough to give some direction ideas to Hakuyu Go , like sou miyazaki made for Tsuchigami for ep16
MuddyYoshi
about 1 month ago
To clarify, because there's some confusion and misinfo: Weilin both storyboarded and did rough LO for everything after Go's part. He was supposed to animate all 44 of those cuts himself, but didn't have time to finish them and couldn't return to the production. Everyone came together to finish the scene in time for the Blu-ray, and it feels a lot like Weilin throughout because it's based on his rough work and boards, so his style is heavily present. This info is sourced from people who worked on the episode.

Also, while cool that so many great animators worked on this scene, having fifteen people tagged when only two should have been if the production hadn't collapsed is not something to praise.
koutetsu hai
about 1 month ago
MuddyYoshi said:
To clarify, because there's some confusion and misinfo: Weilin both storyboarded and did rough LO for everything after Go's part. He was supposed to animate all 44 of those cuts himself, but didn't have time to finish them and couldn't return to the production. Everyone came together to finish the scene in time for the Blu-ray, and it feels a lot like Weilin throughout because it's based on his rough work and boards, so his style is heavily present. This info is sourced from people who worked on the episode.

Also, while cool that so many great animators worked on this scene, having fifteen people tagged when only two should have been if the production hadn't collapsed is not something to praise.
So who revealed this information?
TheSiZaGaming
about 1 month ago
ItsAMemeMario said:
Maybe that indicates an insane amount of rushed work, because there probably wasn't much time to work on the BD either and cramming this many people into one minute is not normal. Too many things like K1RO only doing a half-second cut make me think so. Some of these cuts also lack cohesion, like at 1:11 when they suddenly appear in an underground station to connect this sequence with Vincent's drop kick cut which comes right after. This is all still beautiful work but I'm just sad animators are being worked this way even after the production supposedly ended
Roccia just confirmed that the location switch is indeed intentional

https://x.com/sogisage/status/1772339512061890711?s=20
loli
about 1 month ago
Hey guys I know this isn't related to the post at all but i cant seem to find the answer out, does sakugabooru use audio in clips? like at all? Thanks
MerrBear
about 1 month ago
loli said:
Hey guys I know this isn't related to the post at all but i cant seem to find the answer out, does sakugabooru use audio in clips? like at all? Thanks
nope
Soninso
26 days ago
loli said:
Hey guys I know this isn't related to the post at all but i cant seem to find the answer out, does sakugabooru use audio in clips? like at all? Thanks
No, I think it might have to do with encoding and cause this site would be at more risk for copyright issues, and also another thing to add is that it would feel very off when uploading audio clips with sound for cuts that have or include voice acting, sounds effects, music etc, especially when alot of scenes here are separated cuts (not this specific upload) like cuts on openings, because this is a site main focus being animation and not clips
random
10 days ago
What’s going on with the art direction in weilins part? It slowly transitions from a road to the side of a building with the characters not doing anything to get there.
KamKKF
10 days ago
random said:
What’s going on with the art direction in weilins part? It slowly transitions from a road to the side of a building with the characters not doing anything to get there.
Likely just done to get Sukuna and Makora from point A to point B to have the board make sense, as the scene is pretty nonsensical in terms of location changes. Ironically, it's the only cut in the SB video without a written explanation despite having the most perplexing transition of them all. "Dont think, just feel" as they say.
Th@nos
1 day ago
Genuinely one of the most insane sequences of animation I’ve ever seen in anime. I just love how raw and abstract the animation is as well as the absolutely insane storyboarding. It really felt like I was on drugs the entire time while watching this sequence. Weilin Zhang’s cut was done so much justice in this Blu-ray. Such a shame that we never got to see this in the original episode. Great job L-appa.