i love seeing frieren right after jjk. ah the duality of anime productions

start - 0:09 yoshihara
0:09.1 - end sato (fujimoto for circular fireworks)

Tzur said:
i love seeing frieren right after jjk. ah the duality of anime productions

What do you mean by that?

Abdulmumin said:
What do you mean by that?

Not to speak for them but JJK has squandered multiple debuts from super skilled artists simply by failing to put them in a position to succeed to their fullest ability, while this Frieren episode is the complete opposite: Koki Fujimoto was given every opportunity here and he delivered

PurpleGeth said:

Abdulmumin said:What do you mean by that?

Not to speak for them but JJK has squandered multiple debuts from super skilled artists simply by failing to put them in a position to succeed to their fullest ability, while this Frieren episode is the complete opposite: Koki Fujimoto was given every opportunity here and he delivered

How many did Frieren gave chance to young talents? Out of 5 full debut 3 were able to create great ep while Miyajima and Yooto gave their Absolute best and more then Anyone expected

sakuganerd said:
How many did Frieren gave chance to young talents? Out of 5 full debut 3 were able to create great ep while Miyajima and Yooto gave their Absolute best and more then Anyone expected

Keiichirou Saito himself is younger than Goshozono, and many his acquaintances are around similar age, so the answer to the question of how many chances are given to young talents, it would be "many". For example, the action director of the series, Tooru Iwazawa, is only 28 years old, with his episode being the first instance of handling both SB and ED. Naturally, it may be harder to tell because unlike JJK, they are put in a position to succeed without drastic fluctuations in quality across each episode that make you question just how good their work could've turned out with planning adjacent to a show like Frieren. Quite a shame, but while the goal isn't to discredit the hard work of the JJK debut artists, there is a simple gap in polish they couldn't achieve due to circumstance, it's true even for the upper echelon (Miyajima) and a compromised but great effort (Yooto).

sakuganerd said:
How many did Frieren gave chance to young talents? Out of 5 full debut 3 were able to create great ep while Miyajima and Yooto gave their Absolute best and more then Anyone expected

The number is closer to 2/5 tbh, and my point was that anything special out of those JJK debuts was a result of passionate artists brute forcing because they themselves wanted to deliver quality, NOT because the production cared if they succeeded artistically. In Frieren's case Fujimoto had grand ambitions and the production accomodated them.
Also even before Frieren, Yuichiro Fukushi's production line at Madhouse has historically been an artistically supportive environment for new episode directors.

Firework backgrounds are always my favorite scenes for some reason