I expected more from this scene... but leaving that aside, the impact frames from 0:41 to 0:43 are just like Tatsuya Miki.

0:44 I would bet that it's an hommage to Yutapon's impact frame sequence in the One Punch Man finale. Equally gorgeous.

0:00 - 0:39.5: Shun Miyakawa
0:39.6 - END: Tatsuya Miki (confirmed privately)

key-to-balance said:
Damn, these impact frames are gorgeous. Aside from that, this climactic scene felt quite slow and meh compared to the rest of the episode.

Key imo the slow was perfect because there was only one second left and in that one second you wouldn't want everything to go in a snap and then bam its over.

key-to-balance said:
Damn, these impact frames are gorgeous. Aside from that, this climactic scene felt quite slow and meh compared to the rest of the episode.

So you really don't like build-up and tension in a scene that needs it... Ight.

The impact frames here are very reminiscent of the way Yami did the first dimension slash on #049, I wonder if Miki did that on purpose.

BlackSakuga said:
I expected more from this scene... but leaving that aside, the impact frames from 0:41 to 0:43 are just like Tatsuya Miki.

SecTioN said:
The impact frames here are very reminiscent of the way Yami did the first dimension slash on #049, I wonder if Miki did that on purpose.

I was about to say that lol. How Miki framed the scene is really similar, with Asta/Yami below Dante/Vetto taking almost all the screen, and the timing of the slow motion cut on Dante is practically the same. Not to mention Asta's pose.

The transition from 0:04 to 0:08 on the sword is very strange, it looks like the SLIDE, while characters are dragged.

I think it's great,the characters and the sword are hold still while the camera is rotated to reveal that yami is tossing it to asta

BlackSakuga said:
The transition from 0:04 to 0:08 on the sword is very strange, it looks like the SLIDE, while characters are dragged.

How? It's imitating a rotating camera, it's like paneling.

Zachkis said:
How? It's imitating a rotating camera, it's like paneling.

It would be better if it followed the same path as that of the sakiko Uda in MHA (https://www.sakugabooru.com/post/show/73407 ), with the camera coming from far away and then the sword transition, so it wouldn't generate a certain continuity error, after all they were in the sky at the time of the cut, but at the end they are on the ground, this storyboard could be looser but it is too faithful to the manga.