|
112058 |
127.6 |
As shown on the next page, the galaxies born from the sea were drawn into key animation and had galaxies composited in. The dots on the [time]sheet (inbetween marks) are handled by a compositing process called digital inbetweening. - Kenichi Konishi |
Xenos |
11/11/23 |
Revert |
|
112058 |
127.5 |
As shown on the next page, the galaxies born from the sea were drawn into key animation and had galaxies composited in. The dots on the [time]sheet (inbetween marks) are handled by a compositing process called digital inbetweening. - Kenichi Konishi |
Xenos |
11/11/23 |
Revert |
|
112058 |
127.4 |
As shown on the next page, the galaxies born from the sea were drawn into key animation and had galaxies composited in. The dots on the [time]sheet (inbetween marks) are handled by a compositing process called digital inbetweening. - Kenichi Konishi |
chii |
10/10/22 |
Revert |
|
112058 |
127.3 |
As shown on the next page, the galaxies born from the sea were made into key animation, then animated, and had galaxies inserted. The dots on the [time]sheet (inbetween marks) are [marking frames] handled by a compositing process called digital inbetweening. - Kenichi Konishi |
chii |
07/22/22 |
Revert |
|
112058 |
127.2 |
As shown on the next page, the galaxies born from the sea were made into key animation, then animated, and had galaxies inserted. The dots on the [time]sheet (inbetween marks) are [marking frames] handled by video processing called digital inbetweening. - Kenichi Konishi |
chii |
02/11/20 |
Revert |
|
112058 |
127.1 |
As shown on the next page, the galaxies born from the sea were made into key animation, then animated, and had galaxies inserted. The dots on the [time]sheet (inbetween marks) are [marking frames] handled by video processing called digital inbetweening. |
chii |
02/11/20 |
Revert |
