|
34117 |
83.1 |
I go back to Osaka for the first time in a while. (I'm originally from Ube, Yamaguchi.) With this, I say farewell to my partying days. I return to Tokyo, but there's no work because of a schedule delay.
This month's income: nada |
grognarg |
05/08/17 |
Revert |
|
34117 |
82.1 |
With an eye to a color TV, I frequent the pachinko parlors. However, I give up when I realize I'm not even regaining my capital. How futile...
This month's income: in the red! |
grognarg |
05/08/17 |
Revert |
|
34117 |
81.1 |
Mac**** drags on. When it's over, I'll help out with Bir** and others. It's hot out.
This month's income: ￥150,000 |
grognarg |
05/08/17 |
Revert |
|
34117 |
80.2 |
Working on Ma***ss, I hole up at Anime F***nd. This period is just like the previous. Suffering...
This month's income: ￥300,000 |
grognarg |
05/08/17 |
Revert |
|
34117 |
80.1 |
Working on Ma***ss, I hole up at Anime F***nd. This period is just like the previous. Suffering... |
grognarg |
05/08/17 |
Revert |
|
34117 |
79.1 |
With a bad cold, I stay over at a friend's house and sleep. No women, no work, all I do is sit around reading Dazai. So miserable...
Monthly income: zilch |
grognarg |
05/08/17 |
Revert |
|
34117 |
78.2 |
The best time in life. With the pay from Na*si** I get a 3-piece suit. And I can get a girlfriend. Yay!
Monthly income: ￥200,000 |
grognarg |
05/08/17 |
Revert |
|
34117 |
78.1 |
The best time in life. With the pay from Na*si** I get a 3-piece suit. And I can get a girlfriend. Yay! |
grognarg |
05/08/17 |
Revert |
|
34117 |
77.1 |
The final stretch stretches on. Socks are a pain in the ass to wash, so I don't wear them. Day after day I go to eat fried tofu in the snow.
Monthly income: ￥150,000 |
grognarg |
05/08/17 |
Revert |
|
34117 |
76.1 |
Working on Na***ca, I sleep in the studio with the cockroaches. There are no good rooms for sleeping.
Monthly income: ￥150,000 |
grognarg |
05/08/17 |
Revert |
|
28259 |
67.2 |
He says the reason he joined Studio Pierrot as an animator was that his upperclassman from Aichi Prefectural Komaki High School, Kouji Ogawa, was an animator, and he saw a recruitment advertisement in Animage. |
grognarg |
12/12/16 |
Revert |
|
28259 |
68.2 |
The first in-betweens he drew were for Seijuushi Bismark. The year after that, he graduated to key animation halfway through the next work, Ninja Senshi Tobikage. He progressed rapidly. He was correcting mecha scenes at the same time, all at the tender age of 18. |
grognarg |
12/12/16 |
Revert |
|
28259 |
64.3 |
Born December 12, 1966. Sagittarius. Blood type AB. "I love Kamui Fujiwara!" |
grognarg |
12/12/16 |
Revert |
|
28259 |
75.1 |
This is Hikaruon from Gakuen Tokusou Hikaruon. He was glad he got so many cuts for this work, but says the final product was a bit too dark. |
grognarg |
12/12/16 |
Revert |
|
28259 |
74.1 |
A boomer from Bubblegum Crisis OVA. You can easily see the special characteristics of Oohira genga in this single image. |
grognarg |
12/12/16 |
Revert |
|
28259 |
73.2 |
"Sometime soon I'd like to be a mecha AD, even if it's just for one episode. I need to study organic figures more too.... Like (Hideaki) Anno from Wings of Honneamise, that's the kind of animator I want to be." |
grognarg |
12/12/16 |
Revert |
|
28259 |
73.1 |
"Sometime soon I'd like to be a mecha AD, even if it's just for one episode. I need to study organic figures more too.... I want to be like (Hideaki) Anno from Wings of Honneamise, that's the kind of animator I want to be." |
grognarg |
12/12/16 |
Revert |
|
28259 |
72.1 |
BL !?!?! |
grognarg |
12/12/16 |
Revert |
|
28259 |
71.1 |
Recently he's done the fight scene with the monsters in Gakuen Tokusou Hikaruon and the baseball scene in Bats and Terry, and been involved in Bubblegum Crisis, among others. |
grognarg |
12/12/16 |
Revert |
|
28259 |
70.1 |
Since then he's done the scene in Gall Force where monsters come out of the crumbling ship, and the scene at the end of Kikoukai Galient: Tetsu no Monshou where Galient cuts Jashinhei apart. In Machine Robo, he did Baikanfuu's henkei which became a bank cut, Baikanfuu and Mizuchi's fight scene in episode 6 etc. |
grognarg |
12/12/16 |
Revert |
|
28259 |
69.2 |
His first work since leaving Pierrot before Tobikage was over and going freelance was Megazone 23 part 2.
"I learned a lot from it. In the coming era, this is the only kind of picture there will be!" |
grognarg |
12/11/16 |
Revert |
|
28259 |
69.1 |
His first work since leaving Pierrot before Tobikage was over and going freelance is Megazone 23 part 2.
"I learned a lot from it. In the coming era, this is the only kind of picture there will be!" |
grognarg |
12/11/16 |
Revert |
|
28259 |
68.1 |
The first in-betweens he drew was for "Seijuushi Bismark." The year after that, he graduated to key animation halfway through the next work "Ninja Senshi Tobikage." He progressed rapidly. He was correcting mecha scenes at the same time, all at the tender age of 18. |
grognarg |
12/11/16 |
Revert |
|
28259 |
67.1 |
He says the reason he joined Studio Pierrot as an animator was that his upperclassman Kouji Ogawa, who also went to Aichi Prefectural Komaki High School, was an animator, and he saw a recruitment advertisement in Animage. |
grognarg |
12/11/16 |
Revert |
|
28259 |
66.1 |
"It's not as if I had an interest in anime throughout middle school and high school," he says. "Every day I read car magazines and went to game centers and things like that." |
grognarg |
12/11/16 |
Revert |
