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Mitsuo Iso really is on an entirely different level. One of the best anime will ever see.
Holy hell i am astonished. This is truly some of the best animation there is. Bravo iso. Great movie as well
Iso at his best
(I have my doubts if the first two cuts are really by him, tho)
Kou Yoshinari did the plane scene earlier in the movie. Not here according to Kitakubo's askfm https://ask.fm/LawofGreen/answers/108075675855
do someone have analyses or something about the full limited approach used by Iso? or more generally speaking Iso's style even if it's not full limited
lighthalzen said:
do someone have analyses or something about the full limited approach used by Iso? or more generally speaking Iso's style even if it's not full limited
I'd like to know too, I always heard about his peculiar style, and got some brief explanation, but I've never found extensive analyes
I attended a panel at Anime Central 2018 where Iso gave an overview of his animation career. One of the interesting tidbits is he took the animation drawings home and did the compositing on his own in Adobe After Effects so that his technical know-how wouldn't reach the studio. "I considered it one of my best kept secrets," he said.

With that in mind, reviewing this clip today, I'm noticing reuse of heads across drawings such as when dude fires his pistol midway through the clip and elsewhere (monster closeup near the beginning?), which is interesting to see in a 20-year-old anime. Iso today is at Signal.MD, which he says is dedicated to a paperless workflow and making anime production more efficient through technology. I suppose this Blood piece preempted those trends.
The first 2 here arent iso, its kurios work