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Zyleq
almost 3 years agoThetom5000
almost 3 years agoCosmikuDoggo
almost 3 years agoKoHorizon
almost 3 years agoPlease, look at the depth he manage to put on the human anatomy, his mastery on the shading on top of his drawing, add so much on making the character alive ... Pay close attention on the close up on the faces/body/arm.
It's so godamn CLEAN ... Crazy
Sabotower
almost 3 years agoMerrBear
almost 3 years agoFrankStyles
almost 3 years agoFrankStyles
almost 3 years agoZyleq
almost 3 years agoMagnusArtifex
almost 3 years agoRelux
almost 3 years agoEither way, though, I think this scene is exceptionally readable.
Aaronyogurt
almost 3 years agoJuantutu
almost 3 years agohgfdsahjkl
almost 3 years agothey just grap all of your attention and make you breathless
the best of all time
LAchson
almost 3 years agoOsama TMZ
almost 3 years ago(Tho I do think they shouldn't have showed it in the PV, they could have kept it as a surprise instead).
ipotatosenpai
almost 3 years agoBlackSakuga
almost 3 years agohgfdsahjkl
almost 3 years agobut at 00:31 cut 762 and 763
there are colourful impact frames
is that a new thing ?
MerrBear
almost 3 years agohgfdsahjkl
almost 3 years agoThatguysmells
almost 3 years agohgfdsahjkl
almost 3 years agoI actuallu knew the ConRevo one so well but for some reason it didn't stuck
Shaymincar
almost 3 years agoThatguysmells
almost 3 years agoYutaka conveys Iida's speed so beautifully. Not only the motion and framing, but the storyboarding itself sells the movement. In the beginning it looks like the exhausts are bigger than mountains. The darkness in several of the cuts makes it look like Iida's going FTL. Heck, in one of the earlier cuts he straight up breaks the sound barrier.
Nakamura is god
almost 3 years agohgfdsahjkl
almost 3 years agohas that after image
any idea is this censorship or due to difference in frame rates ?
Askaa
almost 3 years agoCrest1
almost 3 years agoFaraday
over 2 years agoBlackSakuga
over 2 years ago