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The animation's pretty good
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zappa_boi said:
The animation's pretty good
Indeed it is, people tends to say that this is bad animation but those people doesn't know about animation at all
people who call this a bad animation are the same who call mob psycho has bad animation
Those smear frames are both genius and hilarious
Just because debris is cubic doesn't make it Yutapon Cubes. The timing of the debris and the consistent shape is just as, if not more important.
Sabotower said:
Just because debris is cubic doesn't make it Yutapon Cubes. The timing of the debris and the consistent shape is just as, if not more important.
Timing? Not all cuts in the yutapon cubes category are timed and the cubes in this cut are consistent. Not all yutapon cubes have to have the impact frame and cube explosion right?
this isnt yutapon inspired lol
Naruto has a lot of great fights by lot of amazing animators but the sense of speed and the exciting kinetic animation in this is unrivalled. I love fights with departures from character models, aggressive visible linework and smears over faux-photorealism that seems to be popular in anime these days.
PurpleGeth said:
this isnt yutapon inspired lol
Does yutapon cubes have to be yutapon inspired?
I can find a handful of cuts in the yutapon cubes category that aren't inspired.
Yutapon cubes are just cube debris right?
blizar said:
Does yutapon cubes have to be yutapon inspired?
I can find a handful of cuts in the yutapon cubes category that aren't inspired.
Yutapon cubes are just cube debris right?
Not really, the "yutapon" part is important. The green tags are meant to track style trends and homages among the wider scope of the industry, though that's not something that can be black and white in the way that "debris" or "impact frames" are, so there's guaranteed to be some discrepancies in the tag. They're also commonly misunderstood so people will randomly add them and it often doesn't get investigated since nobody has the time to go through them in the way that we do for artist tags (which I consider to be 10000x times more important to have right, so my focus is usually there)
PurpleGeth said:
Not really, the "yutapon" part is important. The green tags are meant to track style trends and homages among the wider scope of the industry, though that's not something that can be black and white in the way that "debris" or "impact frames" are, so there's guaranteed to be some discrepancies in the tag. They're also commonly misunderstood so people will randomly add them and it often doesn't get investigated since nobody has the time to go through them in the way that we do for artist tags (which I consider to be 10000x times more important to have right, so my focus is usually there)
Ok thx, I see what you mean.
no prob, also don't hesitate to ask if you ever have questions about a thing
This made the pain fight iconic.
Too bad people still complain about this amazing cut to this day, probably will continue to do so forever
Yama mentions in an interview of his how he suspects this episode may have caused the large degree of "limiting in animation idiosyncrasy" in the industry after its airing, and that the 100 cuts he handed in were "half complete products that he had no time to retake". In his words, this was the point when he started to change his mindset towards handing in complete work rather than ones that are rough and overly ambitious and to be more of an "animation lover" than a "sakuga lover".
LoogiBaloogi said:Yama mentions in an interview of his how he suspects this episode may have caused the large degree of "limiting in animation idiosyncrasy" in the industry after its airing, and that the 100 cuts he handed in were "half complete products that he had no time to retake". In his words, this was the point when he started to change his mindset towards handing in complete work rather than ones that are rough and overly ambitious and to be more of an "animation lover" than a "sakuga lover".
Interesting. Can i get the source link for this interview
FunDo said:
Interesting. Can i get the source link for this interview
It's in Chinese unfortunately, but here's the link: https://www.bilibili.com/read/cv18777516 Note that this is an excerpt, the original link (the same one I used to source post #107999) seems to be inaccessible, and I've been trying to find another transcript of the full interview ever since I noticed.

EDIT: Welp, apparently I wasn't looking hard enough, cause someone backed up most of the anitama interviews, which includes the Yama one, so here it is: https://john-smith-2020.github.io/Anitama-Backup/series/151/