For the BANK section in the credits, Harada mostly supervises, and that's what he did for this scene, confirmed privately.

Asking this out of curiosity and because I'm crap at properly analyzing animation, what exactly defines a hisashi punch?

lolah said:
Asking this out of curiosity and because I'm crap at properly analyzing animation, what exactly defines a hisashi punch?

Haha, I asked this awhile ago on post #13161 and nobody answered. Would be great if someone wrote wikipages for tags like these.
My guess it's about effects and these "lingering" on impact (here on 2-3 seconds)

Xmax360 said:
Would be great if someone wrote wikipages for tags like these.

Yeah, I thought of asking about that too haha. I'd guess the japanese animation community has loads of other terminologies not very known to western enthusiasts like me who can't read japanese... I don't think they're exactly needed for inserting hundreds of new tags in sakugabooru, it's just that it would be nice to know more about them because it helps to understand what makes certain scenes look so good or work so well. I was also thinking about this after reading this post https://sakugabooru.com/post/show/6260, since I'd also see cube-like debris and more or less instantly think of yutapon cubes.

Xmax360 said:
My guess it's about effects and these "lingering" on impact (here on 2-3 seconds)

Yeah, I was also thinking it's about the hold of the fist on the impact surface and the following 'push' of the punch, but I can't tell if it also involves other elements like framing, timing, effects etc just from comparing the other tagged posts on the booru. I think this other post https://sakugabooru.com/post/show/11794 has some things in common with those tagged with Hisashi punch, but I'm an amateur so I don't really know haha.

Anyway, I don't mean to be anal with nomenclatures and tagging or whatever, I'm just sincerely interested in learning more!

Every instance seems to be "Punched so hard it becomes pencil/chalk/charcoal/brush lines" Like how Luffy Punched the Baron Omatsuri which is the namesake for the punch.

This really reminds me of something but I don’t know what

im so glad one of barkel’s parts has been confirmed, that rules. i thought that was him but didnt want to presume

never thought i'd live to see the day where we get an itano circus cut in a disney show

this era is magical

It's not an itano circus.

WTBorp said:
It's not an itano circus.

Not only that, but there already was a real itano circus in DuckTales

alllex said:
Not only that, but there already was a real itano circus in DuckTales

yeah i forgot ducktales was a thing, mb

It's too smooth ngl.

青山浩行？

The Gakuto flip (:09) is modified from #10 of the National Tournament (post #159027).
The Kintaro flip (:13) is reused from #06 of the National Tournament Semifinal, it's probably Kenji Irie.
The Akaya cut (:15) is modified from this part's PV, presumed Shigekuni.

This was originally part of a preproduced PV without credits of its own. Some of the cuts (such as these) made it into the episodes, but there are many that were clearly just meant to be PV material. A cut by Yuuji Shigekuni was slightly changed for the OP ( post #208772 ) and it was credited. It's also certainly possible that my Shigekuni presume there is wrong.
The point is - I don't know if the artist of these cuts would have been included in this episode's credits.

The first cut here is actually mostly a modified version of a cut from the National Tournament Arc #10. Explains why it has Iizuka energy.

https://twitter.com/jusjusojus/status/1621911610397982726

confirmed via vischer's youtube channel https://youtu.be/HSI-eXZzAUw
Darla Dimple was animated by Frans Vischer, Flannigan was animated by Steve Wahl

https://twitter.com/gottanime5/status/1545808969595518976

エンゲージキス、エンディングで参加してました。
(パチスロ店の2カットです。)

Iluvatar said:
Confirmed priv